I have looked at Milton Glaser's work from the 1970's as I think it is relevant to my work, The bright colours and patterns within his work are appropriate to the 70's as his ork was produced at the time and shows what was current at the time.
Milton Glaser (b.1929) is among the most celebrated graphic designers in the United States. He has had the distinction of one-man-shows at the Museum of Modern Art and the Georges Pompidou Center. In 2004 he was selected for the lifetime achievement award of the Cooper Hewitt National Design Museum. As a Fulbright scholar, Glaser studied with the painter, Giorgio Morandi in Bologna, and is an articulate spokesman for the ethical practice of design. He opened Milton Glaser, Inc. in 1974, and continues to produce an astounding amount of work in many fields of design to this day.
To many, Milton Glaser is the embodiment of American graphic design during the latter half of this century. His presence and impact on the profession internationally is formidable. Immensely creative and articulate, he is a modern renaissance man — one of a rare breed of intellectual designer-illustrators, who brings a depth of understanding and conceptual thinking, combined with a diverse richness of visual language, to his highly inventive and individualistic work. *
Born in 1929, Milton Glaser was educated at the High School of Music and Art and the Cooper Union art school in New York and, via a Fulbright Scholarship, the Academy of Fine Arts in Bologna, Italy. He co-founded the revolutionary Pushpin Studios in 1954, founded New York Magazine with Clay Felker in 1968, established Milton Glaser, Inc. in 1974, and teamed with Walter Bernard in 1983 to form the publication design firm WBMG. Throughout his career, Glaser has been a prolific creator of posters and prints. His artwork has been featured in exhibits worldwide, including one-man shows at both the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York
http://www.miltonglaser.com/milton
BARBARA BROWN
Barbara Brown (1939-) was the most high-profile designer at the time, began supplying designs in 1958 after studying at the Royal College of Art. Her ability to work on massive scale suited the architectural aspirations of the period. Later she experimented with optical distortions, as in this textile. Her designs influenced a whole school of pattern-making, and many designers emulated her powerful gargantuan idiom. Barbara Brown said that she never consciously designs with either fashion or the commercial market in mind, but works more like a painter, in that her designs - all of which have a characteristic three-dimensional quality - evolve and develop over a period of time.
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